Showing posts with label bill forsyth. Show all posts
Showing posts with label bill forsyth. Show all posts

Friday, April 19, 2013

May Expiration Watch: Death by Twos



If the latest list is correct, a substantial chunk of Netflix's MGM/UA catalog is set to expire on May 1. Sadly that means a lot of great titles will be disappearing--including films by some of cinema's top directors. Many of the films represent these filmmakers' only Instant choices and, for whatever reason, seem to be leaving in groups of two (and occasionally three). So if you're a fan of--or just curious about--the work of any of the below directors, you'll want to consider pushing these titles toward the top of your queue. (Comments accompany films I've seen and can personally vouch for.)

Other departing titles include those of a few big-name bombshells (hint: initals B.B.), and yes, the increasingly slippery Mr. Bond. (Update: titles that stuck around past 5/1 have been noted accordingly.)

Friday, April 5, 2013

Romance with a Touch of Smut: CASHBACK

If you like your romantic comedies with more of an adult sensibility than today's Hollywood usually allows, take a look at 2006's Cashback. Despite its unassuming title and a plot description that does it no favors, the film manages to combine romance, whimsy, and a bit of healthy European randiness with an artistic sensibility that never interferes with its off-beat humor. This is owed to fashion-photographer-turned-director Sean Ellis, around whose Oscar-winning short of the same name the film was based (a short whose fantastical conceit--a young artist with the ability to freeze time--is incorporated here and successfully deepened). If you're familiar with the '80s films of Bill Forsyth--Gregory's Girl and Local Hero being two personal faves--then this has a similar sensibility, only with a bit of magic and a lot of breasts.

This overlooked charmer stars Harry Potter's Sean Biggerstaff and a cast of fellow Brits, including the lovely Emilia Fox

Yes, there are a fair number of beautiful ladies doffing their kits (as they say in the U.K.) throughout the film. So if that kind of thing frightens you, or if naked ladies are against your ideals of Art, Cinema, and Good Taste, then by all means dial up something with Julia Roberts or J-Lo. Otherwise, this slow-burn examination of a young artist's fascination with love, beauty, and the female form offers many small and satisfying rewards.