Showing posts with label jonathan demme. Show all posts
Showing posts with label jonathan demme. Show all posts

Monday, July 14, 2014

July Highlights: Slow on the Update

No two ways about it: there were some pretty good additions to the streaming catalog this month (even if it's taken me longer than usual to note them). I've been finding it tricky to do much more than update the new and expiring lists this summer, but in place of a GONE FISHIN' sign, how about we break down the best of the new titles into more manageable chunks? We'll start with the prestige pics, which include numerous multi-Oscar winners, and work our way through the classics, the so-bad-they're-good, the rewatchables, and the returned. And just to mix things up, we'll put each list in chronologicalas opposed to the usual alphaorder.

PRESTIGE PICS

Patton (1970) - George C. Scott kills it as the erstwhile general, in an Oscar-winning script by Francis Ford Coppola
On Golden Pond (1981) - Jane and Henry Fonda team up with Katherine Hepburn; a bit mawkish but well-acted and beautifully filmed
Sophie's Choice (1982) - Meryl Streep in the first of her many world-changing performances
Gandhi (1982) - Richard Attenborough directs Ben Kingsley in this epic Oscar-winning tale
Eight Men Out (1988) - John Sayles guides a stellar ensemble cast (John Cusack, David Strathairn, Charlie Sheen, Christopher Lloyd) in this understated, intriguing account of the infamous "Black Sox" Scandal
Philadelphia (1993) - Tom Hanks shows he's serious, nabbing his first Oscar for Best Actor in Jonathan Demme's AIDS drama, which also stars Denzel Washington
Dead Man Walking (1995) - Sean Penn, Susan Sarandon, more Oscars
City Of God (2002) - Searing, must-see drama set in the slums of Rio de Janeiro, filled with incredible filmmaking and unforgettable performances by a non-professional cast
Venus (2006) - Peter O'Toole in a late-career performance as an aging actor who finds himself falling for a young model. But will she fall for him back?
The Master (2012) - Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams all got nominated for Oscars in this latest exercise in intensity from Paul Thomas Anderson (Boogie Nights, Punch-Drunk Love)

Saturday, June 28, 2014

June Expiration Watch: Art of the Tease

Turns out some of the more impressive additions to Instant these last few months were little more than loaners. I'm not really sure the point of acquiring streaming rights to a film for only two or three months (why not six? or a year?), but if you were excited by such recent additions as The Terminator, Chinatown, Angel Heart, and classic Kubrick and Scorsesenot to mention the perennially peripatetic James Bond filmsthen you better get your licks in while you can.

And since no one else seems to be tracking this, here are the most notable films that debuted on the service in recent months that are now expiring:



Arrived in May

Bang the Drum Slowly (1973)
James Bond Films (list below)

Arrived in April

Angel Heart (1987)
Bad Company (1972)
Chinatown (1974) - review
Close Encounters of the Third Kind (1977) - review
Dragonslayer (1981)
Lars and the Real Girl (2007)
The Odd Couple (1968)
Roger Dodger (2002)
Spanglish (2004)
Rocky (1976) + sequels
The Running Man (1987)
The Terminator (1984)

Arrived in March

As Good As It Gets (1997)
Dr. Strangelove (1964) - review
Gattaca (1997)
Taxi Driver (1976)

Wednesday, March 5, 2014

New March Titles: Exiles' Return (2014)

So many new and returning titles this month! Whether by accident or design, Netflix seems to be making up for some of its recent deletions. Already back from the January 1 "great purge" are a number of classics including Easy Rider (1969), Roman Holiday (1953), Serpico (1973), and True Grit (1969), along with popular favorites The Bad News Bears (1976), Dirty Dancing (1987), and As Good As It Gets (1997). Fans of the late Phillip Seymour Hoffman will also be pleased to see Capote (2005) return to the fold.


Also returning: a veritable slew of Robert Altman films, from the good to the great to the misguided, bringing the director's total number of streaming titles to an impressive nine. No telling how long they'll stick around this time, but must-sees are The Long Goodbye (1973) and Thieves Like Us (1974); should-sees are Streamers (1983), a stark, underappreciated adaptation of David Rabe's play, and the Tim Roth tour de force, Vincent & Theo (1990). In the "misguided but rarely seen" category is O.C. & Stiggs (1985), Altman's satirical attempt at a teen comedy that remains fascinating despite its flaws. This intermittently funny oddity is worth watching for Dennis Hopper alone, who seems to be reprising his stoner-photographer character from Apocalypse Now, complete with a "Ride of the Valkyries" attack. Martin Mull, Ray Walston, and Jane Curtin also join the fun. Bizarre? Entertaining? Misunderstood? I can guarantee you at least two.