2014: A Year in Review

It was an eventful year both on Netflix and here at What's On NETFLIX Now?, with lots of choice movies coming and going (many of them more than once). For less thorough readers and those who only discovered this blog in recent months, I thought it would be fun to recount some of 2014's highlights, not only to give an idea of what you missed but to show what's still available to explore—both on Netflix and on the backpages of this site. I'll also try to provide some insight into what's ahead in 2015 (depressing though it may seem)...

Altman's 3 Women

JANUARY 2014 saw an impressive influx of new titles following a pretty dismal December, including rarities like Robert Altman's 3 Women and indispensable classics like Billy Wilder's Some Like It Hot and The Apartment—both of which have unfortunately expired (though I'm happy to report the latter is set to return in January 2015). Standalone reviews covered an obscure, oddly charming 1972 comedy, The Public Eye, from director Carol Reed, and Megan Griffith's effective, low-key thriller, Abduction of Eden, loosely based on the true story of a woman kidnapped into a human trafficking ring.

FEBRUARY marked the site's first significant bump in readership thanks to a highly ranked post on Reddit, with monthly hits more than tripling. This prompted a look back on the blog's philosophy and some of what had come before (a post I may need to revisit myself, since I feel I may be wandering a bit from my original purpose). The month was also notable for an influx of excellent 1970s flicks, four of which received short reviews, although three of those later expired—as is so often the case on Netflix these days. Another film, 1974's Dirty Mary, Crazy Larry, merited its own full review, mostly because I've always had a soft spot for car chase movies of the early 1970s. February also saw the passing of writer/director Harold Ramis, a true mensch of 1980s and '90s comedy, along with the loss of a number of notable French films, including two starring French heartthrobs Alain Delon and Jean-Paul Belmondo. One of those, 1962's A Woman Is a Woman, represented Jean-Luc Godard's lone entry on Netflix.

April Expiration Watch: Looking for Preston (2014)

As we begin this final weekend of April, it's time to once again take stock of the noteworthy titles leaving Netflix streaming. It's not the most painful list of deletions to come this blog's way, but some of them will sting, especially the handful of 1970s films that arrived only three months ago. Those titles, singled out here back in February, are Harold and Maude, North Dallas Forty, and Marathon Man, all of which contain the welcome grit and unpredictability that were hallmarks of 1970s cinema (and which seem so hard to come by amid today's endless sequels and remakes).

Other Me Decade flicks ascending to Netflix Heaven (or is it only Limbo?) are Paul Mazursky's touching and funny Harry and Tonto, which won Oscars for Mazursky's screenplay and Art Carney's lead performance; the original, made-for-TV, Brian's Song—the first movie to introduce my younger brother and me to cry-bonding when we were kids; and tough-guy director Don Siegel's Two Mules for Sister Sara, a western starring Clint Eastwood and Shirley MacLaine.

Stanwyck, Fonda

Masters of Comedy

All of the above will be disappearing in the final seconds of April 30, as will a couple of bona fide classics from even further back: Preston Sturges' screwball gem, The Lady Eve (1941), and Billy Wilder's Some Like It Hot (1959). The Wilder film—which has streamed only since January—should be familiar to even casual classic-movie (or Marilyn Monroe) fans, but the lesser-known Sturges flick remains an essential entry among screwball comedies of the 1930s and '40s. In fact, the genre was all but played out by 1940, until the man who cut his teeth as a screenwriter in the previous decade convinced a wary studio to let him direct, giving him the chance to take his unique mix of verbal wit and physical comedy to dizzying heights.

January's Lost & Found (2014)

Following last month's mass movie-title massacre, it would be easy to join the chorus of Netflix naysayers and cancel the streaming service in a noisy, indignant huff (see also: Netflix Huff). But a funny thing happened on January 1: a lot of great new and returning titles appeared, going a long way toward filling the gap left only hours earlier. Sure, it's going to be tough to make up for losing the Charlie Kaufman films or the incomparable Miller's Crossing, but this month's additions arguably go toe to toe with last month's departures.

Classic sci-fi fans may have cried foul at the loss of Robert Wise's The Andromeda Strain, but in its place we got not only the director's even more classic The Day The Earth Stood Still (1951), but the first of the Star Trek films, Star Trek: The Motion Picture (1979). Sure, it's not the franchise's best, but it's far from the worst, and it has the distinction of being much closer in spirit to the exploratory/philosophical nature of the original series than the flat-out action-oriented installments to come. And to those of us who saw this on its first release and thought: "Wow, look how old those guys are!" it's refreshing (and a bit painful) to now think: "Wow, look how young those guys were."

Robert Wise fans (and I know you're out there) may also get some satisfaction from the availability of West Side Story (1961), a multi-Oscar-winning musical about star-crossed lovers from the opposite side of the tracks. This should ease the loss of not only Franco Zefirelli's Romeo and Juliet, but another award-winning epic about equally mismatched lovers, Titanic. Richard Beymer is no Leo, of course, but then Billy Zane's no Rita Moreno, either (thank goodness).

New May Titles (2013)

Despite last month's massive MGM/UA purge, a few notable new titles have found their way to Netflix Instant.

The Three Musketeers (1973) - Expired 7/1/13

Director Richard Lester (A Hard Day's Night, Petulia) brings a fresh take to this old tale, cramming a large all-star cast into corsets and tabards and letting the mud and swords fly. Bawdy, messy, violent, and occasionally thrilling, this first of two Musketeers movies shot back-to-back (The Four Musketeers is inexplicably unavailable on Instant) remains the standard for all Dumas interpretations before or since. Michael York, Oliver Reed, Richard Chamberlain, Christopher Lee and others take part in some of the most spirited—and exhausting—swordplay ever put on film, made all the more convincing for being performed by the actors themselves. Lester accomplishes the rare feat of fusing a sometimes Monty-Pythonesque tone with genuinely escalating dramatic stakes. Good old-fashioned fun.

Harry & Tonto (1974) - Expired 5/1/14

Art Carney gives an Oscar-winning performance in this Paul Mazursky road movie. I haven't seen this one myself, but it's always been well regarded and I'm a lifelong fan of Mazursky's other work (including Moscow on the Hudson, Down and Out in Beverly Hills, and Enemies, A Love Story). This one's definitely going into my queue. [UPDATE: Saw it. Loved it. Sorry to see it gone.]