Showing posts with label silents. Show all posts
Showing posts with label silents. Show all posts

Friday, July 3, 2015

July Expirations: Let's Call It a Massacre

Well, this was unexpected. After June's list of more-than-could-be-processed expiring titles, it was natural to assume the bulk of the damage was done and we could go ahead and discuss July's new arrivals. But Netflix had other ideas. Perhaps trying to keep everyone from noticing exactly how many titles it's eliminating, the service saved a large chunk of its vanishing catalog for July 5—giving no prior notice until the last couple of days (the fact that it's July 4th weekend may also have been part of their plan, if you're conspiracy-minded).

Thanks to all the eagle-eyed readers out there who have been diligently posting their findings (and making my humble Expirations page look like a sub-Reddit forum!), we can gauge just how much will be gone as of Sunday at midnight. Granted, much of it is obscure genre fare and some is downright crappy, but there are also a few genuinely notable older titles—including the early John Boorman flick, Leo the Last (1970), and Jim McBride's seminal David Holzman's Diary (1967)—not to mention a whole slew of silents, many by that era's most distinguished filmmakers. There are too many for me to provide links, but here are all the silent films and pre-1982 titles (so far) that are viewable through July 5:

Saturday, March 7, 2015

New in March: A Few Good Things

At first glance I wouldn't call March a particularly stellar month in the history of Netflix streaming—especially in light of all the painful expirations since December. But nearly every category gets a few worthy additions, joining obvious headliners like Top Gun (1986), Twilight (2008), Crash (2004), and Groundhog Day (1993), as well as returning greats Donnie Brasco (1997) and Taxi Driver (1976).


NEW RELEASES

Netflix, of course, likes to promote its original series, so you likely already know about the arrival of Tina Fey and Robert Carlock's new sitcom, Unbreakable Kimmy Schmidt. The premise—irrepressible young woman hits the Big City after being locked in a bunker for 15 years—doesn't exactly set the toes a'tingling, but as the creator of 30 Rock and Mean Girls, Fey's cred is unimpeachable and I'll definitely give this one a look. Later in the month brings the complete runs of A Different World and 3rd Rock from the Sun, the first half of Mad Men's final season, and another Netflix original, Bloodline.

I'm a big fan of Dan Harmon's cult sitcom, Community (unforgivably absent from Netflix), so I was especially excited by the arrival of 2014's Harmontown. Documenting the cross-country tour of Harmon's live podcast—a free-form, often drunken mix of comic geekery, group therapy, and audience love-in—the film takes a peek inside the brain, and conscience, of a brilliantly creative man whose warring id and ego are at times painfully on display, but which remain inseparable from his razor-sharp wit and intimidating comic imagination.